The only score from a composer further along in life was a suite from Sibelius’ incidental music to “Pelleas et Melisande.” Each section describes a character or situation in luxuriant and atmospheric sonic terms, the Finnish composer’s distinctive style evident at every point.
Gaffigan provided Sibelius’ evocative pictures with keen shaping and detailing. String tone, despite the small number of players, was rich, and the winds sounded fresh. The English horn solos depicting Melisande were played with tender eloquence by Elise Belk.
Mendelssohn’s “The Hebrides,” also known as “Fingal’s Cave,” almost had to contend with rain falling on the church’s roof. But the music’s storminess drew attention from the real thing, as did Gaffigan’s dramatic sensitivity and Amitai Vardi’s poetic clarinet.
What a blissful time conductor and players had in Rossini’s “The Italian Girl in Algiers” overture. Rebecca Schweigert’s handsome oboe solos showed the girl to be crafty and savvy, and the mirth was extended by Heidi Ruby-Kushious’ frisky piccolo, George Sakakeeny’s limber bassoon and the orchestra’s control in that delicious Rossini crescendo.
Finally, there was Schubert’s Symphony No. 3, the product of an inspired teenager. Gaffigan stressed the work’s sunny spirits and expressive generosity. The string slides in the finale were irresistible. Oboist Schweigert, clarinetist Vardi and bassoonist Sakakeeny again made stellar contributions. Overall, an electrifying meeting of music and musicians.
The program repeats at 8 tonight at St. Noel Church in Willoughby Hills, 8 p.m. Saturday at the Shrine Church of St. Stanislaus in Slavic Village and 7:30 p.m. Sunday at Westlake Schools Performing Arts Center.
To reach this Plain Dealer reporter:
Donald Rosenberg, Plain Dealer Music Critic
© 2006 The Plain Dealer
© 2006 cleveland.com All Rights Reserved.
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Download article as PDF by Daniel Hathaway Surely it was just a coincidence that CityMusic Cleveland’s final series of concerts mostly duplicated works The Cleveland Orchestra had played the week before in the third concert of its all-Beethoven Prometheus Project at Severance Hall. The unique piece on CityMusic’s program was the Violin Concerto, which received […]